涉及面部操纵的恋物癖实验短片

涉及面部操纵的恋物癖实验短片

此片纪录了新华社记者和三位美国专家跨越大半个中国走访调研，零踩点、纯纪实拍摄，生动回答了什么是全过程人民民主、在中国是否有宗教信仰自由、新疆如何反恐等七大问题，以开放自信、谦逊谦和的基调，真实记录当下中国人的生活状态，通过有代表性的人物故事，以小见大讲述符合中国国情并具有世界价值的中国民主自由人权观，巧借外籍精英视角讲好中国故事，为解决全球治理贡献中国智慧。

网络系列《一个国家的觉悟：札连瓦拉园》，以猎人委员会虚构成员坎蒂尔·萨尼（Kantil Sahni）的视角，探寻札连瓦拉园大屠杀背后的矛盾冲突与触发因素。

DJ Spooky's "Rebirth of a Nation" is a film project based on a remix of D.W. Griffith's infamous 1915 film "Birth of a Nation." The original film was based on a novel and theater play by Thomas Dixon entitled "The Clansman" -- essentially what DJ Spooky is doing is applying DJ technique to cinema in a way that parallels, deconstructs and remixes the original. Thus "Rebirth of a Nation." DJ Spooky's "Rebirth of a Nation" has been touring for several years and has drawn acclaim around the world. From the Herod Atticus Theater at the base of the Acropolis in Greece, to the London IMAX - Europe's largest movie screen -- DJ Spooky has presented the remix as an engagement with film, music, and contemporary art. He likes to think of it as "film as found object" in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol, and David Hammons, amongst many others, have fostered creative investigations into the idea of found objects, cinema, and "appropriation art." 　　http://www.rebirthofanation.com/ 　　“Silent film scores were grandiloquent, meant to heighten what we saw on screen. Mr. Miller's score, by contrast, deflects our responses, then alters them. A hip-hop drum beat pulses. (It sounds African and urban American.) A wash of industrial sound is joined by bells and cymbals; a dissonant violin; blues fragments. These are the sounds of history and racial complexity that Griffith tried to suppress. ” 　　– Margo Jefferson, New York Times, July 8, 2005

《一个国家的觉悟：札连瓦拉园》是一个网络系列，通过猎人委员会虚构成员Kantil Sahni的眼睛探索札连瓦拉园大屠杀背后的摩擦和触发因素。

《一个叫做家的地方》，穿越上海的苏州河上，有一座老铁桥叫新闸桥。桥堍是一片旧居民区，蛰伏着弯弯曲曲的大小弄堂。弄堂里此起彼伏的声响和毫无顾忌的笑骂交织一片——这样的场景，令人感到回到了过去的某个年代。丑丑是李阿姨代人照管的一个男孩，抱来时，才一个半月大，五岁时，父母离了婚，父亲在服刑，母亲没有稳定的生活，丑丑一直跟着李阿姨生活，今年九岁了。家门口的老铁桥拆了要建新的，这一片旧居民区眼看也要动迁，人们的生活方式都将发生变化，而丑丑的未来呢？这河这桥和生活在这里的人们，正如铁皮罐里那丛顽强生长的青葱，表现出生生不息的生命意志和面向未来的乐观态度。

《一个叫做家的地方》，穿越上海的苏州河上，有一座老铁桥叫新闸桥。桥堍是一片旧居民区，蛰伏着弯弯曲曲的大小弄堂。弄堂里此起彼伏的声响和毫无顾忌的笑骂交织一片——这样的场景，令人感到回到了过去的某个年代。丑丑是李阿姨代人照管的一个男孩，抱来时，才一个半月大，五岁时，父母离了婚，父亲在服刑，母亲没有稳定的生活，丑丑一直跟着李阿姨生活，今年九岁了。家门口的老铁桥拆了要建新的，这一片旧居民区眼看也要动迁，人们的生活方式都将发生变化，而丑丑的未来呢？这河这桥和生活在这里的人们，正如铁皮罐里那丛顽强生长的青葱，表现出生生不息的生命意志和面向未来的乐观态度。

根据短篇《一个废物艺术家的供状》（Confessions of a Crap Artist）改编。它不是一部科幻作品，更像是充满了混乱的PKD自传。

一个年轻的作曲家出发前往格鲁吉亚的几个城市旅行，非常希望能够采集各地的民谣。但是他的同伴却相信，他是受到一个革命组织派遣，为的是计划未来的行动。影片一开始便笼罩着一股不祥的预兆，像是暴风雨前的宁静。导演与摄影师微妙地在消极的安详和积极的罪行之间，营造出令人不安的张力。这种宁静的张力持续着，但是诡异的气氛却悄悄地扩散，爆炸、火灾、逮捕行动，直到恶运扩及全国。人物的奔走并不意味他们准备反抗，纯粹只是慑服于恐惧的状态中。他们想逃离，却缺乏勇气与时间。他们在等待一个领袖的出现… 　　This Russian drama is set in 1907 just before the Revolution erupted and centers upon a young musician who is trying to record all of the folk songs in his big country. His journey leads him to encounter all types of people. The only shadow is the threat of Czarist troops looking to exterminate those who seem to threaten the crumbling monarchy. The musician finds himself pursued when his map is mistaken by soldiers for a list of possible radicals. All those the musician visited are executed and as the story ends, a community religious celebration becomes a massacre when the troops suddenly move in to seize them en masse 　　改编自Otar Chkeidze小说《无名的风》（Veter, kotoromu net imeni） 　　1986 柏林影展最佳导演奖 　　1985 苏联影展最佳影片、最佳摄影两项大奖